question 1: what defines your photographic style?

my work is based on the idea of serial image structures. photography, for me, is not a single image but a system of images that unfolds within a sequence.

the central work is the framed print. print, passepartout, and frame are not additions, but integral elements. only through framing does the necessary distance and precision of perception emerge.

all works follow a clear formal decision: aluminium frames, black. this reduction creates consistency and directs attention to the image structure.

question 2: what is a panorama for you?

a panorama is not a single composite image, but a serial structure.

instead of extending one image, i break it into a sequence of individual photographs. these relate to each other through overlap, variation, and rhythm.

the viewer moves between the images. the whole becomes legible through its parts, and each part gains meaning within the whole.

question 3: how does a series emerge?

each series begins with a structural idea — not with a single subject.

the key question is which dimension becomes visible:

• space (panorama)

• time (sequence)

• light (progression)

the images follow this logic. all parameters — viewpoint, focal length, spacing — are aligned accordingly.

the final work does not exist as a file, but as an installation in space. scale, arrangement, and framing are part of the concept.